Cloverfield PosterCloverfield crashes into many European theaters this weekend and I was curious on what the critics on the other side of the pond thought of the monster movie. By now the spoilers and pictures of the Cloverfield monster are all over the Internet so the mystery is lessened for anyone who can use a 'Google' search.
The Sunday Times in the U.K. had this to say about Cloverfield:
The ridiculous never looked so real. But the film’s early rush of oh-my-God fear fades as Rob and co cross the city. The drama dissipates; the scare factor slackens. The film’s realism gives it authenticity, but it undermines the making of great movie movements. Reality loathes dramatic licence.The Sofia (Bulgaria) Echo had this to say about Cloverfield:
The movie is at its best when it navigates the dark streets flooded by a panicking and injured multitude not knowing whether it is running from or to the frightful something that is out there. The approach of seeing the events through the shaky shooting skills of one of the protagonists relieves the story of the obligation to tell from where the monster comes, although characters speculate about the ocean depths or outer space.Telegraph U.K. had this to say about Cloverfield:
No one is going to see Cloverfield expecting a cinéma-vérité exploration of disaster psychology. But they might expect better handling of the source of the terror; the filmmakers lose their nerve a little towards the end and include some aerial shots from a helicopter, the upshot being that when we properly see the monster we giggle at how traditional and almost cartoon-looking he is. It would have been better if he was more abstract or if, say, the island itself started to mutate and coil into a monster.Scotland's Sunday Herald had this to say about Cloverfield:
JJ Abrams, best known as the creator of Alias and Lost, has acknowledged The Blair Witch Project as an antecedent for his latest brainchild, Cloverfield. If Blair Witch was a YouTube horror film, Cloverfield is the YouTube monster movie. Once again a youth with a camera spends 90 minutes filming the terrible things befalling him (and, on this occasion, the entire population of Manhattan). He sticks to his task for posterity, of course, not realising that if he put the camera down, he could run a whole lot faster.The Prague Post had this to say about Cloverfield:
Had Japan’s Toho studio embraced cinéma vérité in the 1950s, Godzilla might very well have created even more film history. As it is, we’ve had to wait 50 years for Cloverfield, a creature feature filmed with hand-held cameras (aided and abetted by CGI) that successfully takes the monster genre to an entirely new level.The (Scottish) Daily Record had this to say about Cloverfield:
Despite the novel approach, there's a lot of things about this monster movie that are a little too familiar. It seems that every few years Hollywood likes to bomb New York, although they always start with Manhattan, never Queens or Brooklyn. And a Manhattan seems strangely stripped of older, less gorgeous people.The Sun (U.K.) had this to say about Cloverfield:
Whatever the criticisms, though, Cloverfield delivers more bangs for your bucks than the average blockbuster.
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